I understand this was shot for a production company you are both involved with named Thunderball Productions. Who else is involved with this company and what inspired its creation?
I would describe Thunderball as more of a collective. It is basically the group banner that my friend Cameron Beyl and I have been creating film work under since 1997. I think we hold onto it today to feel unified despite working on opposite ends of the country now, and to continue the idea of building this thing that we’ve had literally since childhood. Now, our growing network of artistic collaborators loosely make up what we see as Thunderball Productions.
Why did you decide to shoot a film for Jennie Wayne and why did you select the song My Own Home?
I’ve moved around a lot, and I’m very sentimental when it comes to cities I’ve lived in and places I once called home. I felt like I really understood the sentiment of Jennie’s song. And in film, I’m possessed by environment. So, My Own Home seemed perfect.
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